In the past twelve months, Leonardo DiCaprio has given us some fine
performances as rich, immoral men and his performance as Jordan Belfort in The Wolf Of Wall Street is no exception.
Of course, he is not the richest; his Great
Gatsby role takes that medal. Nor is he the most immoral; Django Unchained’s Calvin Candie surely outweighs him there.
However, this is his best performance of the lot. In fact, it is his best
performance in a long time, and maybe the one that could finally win him that
elusive Academy Award.
The film, based upon Jordan Belfort’s book of the same name, and
directed by Martin Scorsese, charters Belfort’s rise and fall as a stockbroker
in the late 1980’s and 1990’s. It opens with Belfort starting at a major Wall
Street company and his introduction to this new world by his boss played by
Matthew McConaughey. Despite only featuring for barely ten minutes, McConaughey
shines in the role, a sort of mentor to Belfort, and the one responsible for
seducing him to Wall Street and the addictions available to him there: sex,
drugs and most of all, money. As he gets more and more addicted to the high of
earning millions of dollars, the price he pays grows and grows until finally
the FBI catch on to his illegal means. The bulk of the film features a very
criminal Belfort spending and throwing away his millions before Agent Denham
can put him away.
Aside from McConaughey and Marty’s now five-time collaborator
DiCaprio, the film is full of stunning supporting performances from Kyle
Chandler, Jean Dujardin, Joanna Lumley and especially Jonah Hill, once again
proving he is not just a Judd Apatow puppet.
The genius of the film is that at once it feels so familiar as a
Scorsese picture, but also completely fresh. A fan of the director’s can see
his hands at work throughout the film; the use of soundtrack, the steadicam
shots, the obsession with the underworld. There is even a voiceover that takes
you back to Ray Liotta in Goodfellas.
Certainly, you could imagine DiCaprio opening this film with the line “As far
back as I can remember, I always wanted to be a millionaire.” However, this
doesn’t make it feel like tired work, or a rerun of his devices. On the
contrary, everything about the film feels like untouched snow, pushing
boundaries of acceptability to their limit. Every visual in the film shows
another scene of decadence and debauchery with the stock broker office looking
more and more like a fight club than a work place, while every word in Terence
Winter’s script is laced with depravity, the likes of which haven’t been seen
since the better work of authors Brett Easton Ellis or Chuck Palahniuk. The
very fact that this is a true story makes it all the more exciting to watch,
and you certainly cannot imagine anyone else helming this film other than
Scorsese.
The Wolf Of Wall Street is a 3 hour cocaine high, complete with the downs and the
withdrawals and while it may run ever so slightly longer than necessary, you
leave the cinema addicted, needing another hit. Another bump. Another scene.
Just one last time.
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